Inside Nayak: Satyajit Ray’s Masterwork of Modernity, Conscience, and Cinema
When Nayak (1966) won a special award at the 64th Berlin International Film Festival, the great Italian poet-filmmaker Pier Paolo Pasolini was on the jury and was known to have shown great enthusiasm for the film. Sixty years later, the crisis of conscience depicted in the film, newly restored, forces one to reimagine its contours.
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