Nawazuddin Siddiqui Finally Shows Some Sincere Effort in a Slow But Earnest Biopic

RATING – ⭐ ⭐ ✨ 2.5/5″

Costao Review Movie Talkies:

Nawazuddin Siddiqui, who had been seemingly adrift with some of his recent choices, appears to have found more solid footing with Costao. The film unfolds as an engaging drama in its first hour, only to taper off into a more sluggish, if sincere, chronicle of a man’s fight against crime and injustice. Given that it’s a biopic, the screenplay stays loyal to real events, which limits creative liberty. However, the narrative could have benefitted from a tighter pace and a few more dramatic beats in the latter half. That said, Costao remains a heartfelt tribute to a committed individual, and deserves to be watched for its subject’s resilience and patriotism, if not for cinematic finesse.

Costao Story:

Costao Fernandes (played by Nawazuddin Siddiqui) is an upright customs officer based in Goa, leading a quiet life with his family. A staunch opponent of smuggling and crime, he also once excelled in sports during his student years. His mission is to bring down D’Mello (Kishore Kumar G), a major smuggler operating off the Goan coast. During a tense raid, D’Mello’s brother is accidentally killed by Costao in an act of self-defense. This sparks a personal vendetta, with D’Mello retaliating by terrorizing Costao and his loved ones. As a result, Costao is forced to relocate and separate from his family for their protection while he wages a legal battle that takes him from the High Court to the Supreme Court. will he be able to win this battle?

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The film often evokes shades of Nawazuddin’s performance in Raees (2016), although with less intensity. The narrative is framed through the eyes of Costao’s daughter, which initially offers a fresh perspective but gradually loses impact. The first half features gripping cat-and-mouse sequences between Costao and D’Mello, as well as a few moments that spotlight Costao’s integrity and patriotism. Dialogues such as “18% ka GST bhar nahi paate tum log aur Goa ke sapne” and “My honesty is unaffordable” encapsulate the fire in Costao’s character. Unfortunately, this fire dims in the second half, which sees him subjected to violence and humiliation without significant response, rendering parts of the narrative flat and uninspired. The film’s latter section lacks the tension and urgency that its opening promised.

Costao Cast:

In terms of performances, Nawazuddin Siddiqui finally appears more invested, a welcome change after some underwhelming recent outings. While the role may not fully match his capabilities, it marks a step up from his previous projects. Priya Bapat, despite being a Marathi woman, handles the Christian accent reasonably well. Kishore Kumar, although inconsistent with the accent, fares better in terms of screen presence and intensity. Supporting actors such as Mahika Sharma, Hussain Dalal, Gagan Dev Riar, Ravi Shankar Jaiswal, and Arjun Kumar deliver adequate performances, adding depth to the ensemble without stealing focus.

Costao Movie Review:

On the technical front, Costao seems constrained by budgetary limitations. The production lacks visual richness, and the cinematography offers little beyond the appeal of naturally scenic locations. Songs appear sporadically and often feel like an interruption, with little to add in terms of narrative or emotional weight. While a few mass-appeal dialogues provide unexpected entertainment, they stand out more as isolated highlights rather than a consistent strength. Director Sejal Shah—making a transition from cinematographer to filmmaker—invests genuine effort into the film. However, the script and its somewhat uninspired conflicts hold back the impact. A similar trajectory was once seen with Laxman Utekar, who later found his rhythm as a director, and perhaps Shah will too. Costao is an honest film about an exceptionally honest officer. While its appeal may be limited among mainstream audiences, it’s likely to resonate more with viewers who value sincerity and social integrity (which are low in numbers today) over cinematic spectacle.

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