Worse Than A Vulgar Shilajeet Ad

RATING – ⭐ ✨ 1.5/5*

Susheela Sujeet Review Movie Talkies:

Marathi cinema doesn’t venture into adult comedies often—or maybe I avoid them because they’re usually made with abysmally low quality. The last one I remember watching was Shikari (2018), and if that wasn’t traumatic enough, along comes SuSheela SuJeet. Those who’ve seen Shikari will instantly know what I mean.

SuSheela SuJeet could’ve been a decent 90-minute conversational thriller, but instead, it’s reduced to a tacky sex comedy filled with objectification, obsessive dream sequences, abrupt cuts, and double-meaning dialogues. What we end up with is a colossal, over-the-top disaster. It turns vulgar for no reason, then suddenly flips into philosophical mode, and out of nowhere, you’re hit with standard local-drama theatrics.

SuSheela SuJeet Story:

The story follows Susheela (Sonalee Kulkarni), a married woman trapped in a lifeless marriage, and Sujeet (Swapnil Joshi), a mechanical engineer. Sujeet visits her home to fix a shower but ends up getting locked in the room—along with Susheela. With no way out, they’re stuck together. The twist? Susheela’s possessive husband keeps having erotic dreams of her cheating with Sujit, who oddly resembles her ex-boyfriend. That’s the bizarre icing on this already chaotic cake.

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The film kicks off as a thriller but quickly veers into a sex comedy without any real justification. The premise of two people trapped together does offer potential for a situational thriller—something rare in the Marathi industry. However, that potential is squandered by crass humor, flat execution, and immature jokes disguised as adult comedy. All three fall miserably flat, making for an exasperatingly irritating film.

SuSheela SuJeet Cast:

Swapnil Joshi’s performance is perhaps the only redeeming factor, though one wonders why he agreed to be part of this mess. Sonalee Kulkarni, playing a non-stop chatterbox, comes off more like an erratic teenager than a mature woman with a wild past. Her performance is shockingly poor—possibly her worst in years. Prasad Oak as Nakate is another cringe-inducing presence, dishing out awkward expressions and unbearable dialogue. Sunil Tawde, despite his experience, can’t salvage the script, and Renuka Daftardar plays the stereotypical overbearing mother you wish would vanish after a few scenes.

SuSheela SuJeet Movie Review:

On the technical front, things are marginally better. The cinematography is passable, and the background score does its job. The music is forgettable, and the production design is bland at best. Prasad Oak once gave us the classic Kachcha Limbu—a hard-hitting gem that remains one of my favorite Marathi films of the decade. But where is that brilliance now? From Hirkani to Chandramukhi and now SuSheela SuJeet, what’s happening to my once-favorite Prasad? Something has gone seriously wrong, and he needs to course-correct fast. I can’t bear to see such a gifted director fade into mediocrity—and frankly, neither can the industry. SuSheela SuJeet is a catastrophe, and let’s hope it’s the last misstep in Prasad’s otherwise promising career.

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