Bollywood

Shoojit Sircar’s ‘Gulabo Sitabo’ (2020) Review – The Cinemawala

Shoojit Sircar’s ‘Gulabo Sitabo’ (2020) Review – The Cinemawala

For a densely populated country like India, the ratio between a landlord and his/her tenants are one-to-many. Landlords are often seen bickering with the tenants over rents, services provided, conditions of the house etc.. The tenants are equally despondent while dealing with the landlord, over increased rentals and ever decaying conditions of the house. They

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Anurag Kashyap’s ‘Choked-Paisa Bolta Hai’ (2020) Review – The Cinemawala

Anurag Kashyap’s ‘Choked-Paisa Bolta Hai’ (2020) Review – The Cinemawala

Anurag Kashyap, the enfant-terrible of contemporary Indian cinema, is back with his latest offering ‘Choked- Paisa Bolta Hai’ on Netflix. Set in 2016, it’s based on a bank employee’s discovery of an unlimited source of wealth from her choked drain pipe as the same time, when the entire nation is forced to deal with demonetisation

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Lights, Camera, Nation-State! Bollywood’s choreography of India’s national public consciousness – Senses of Cinema

Lights, Camera, Nation-State! Bollywood’s choreography of India’s national public consciousness – Senses of Cinema

Almost universally in the postcolonial world, the patriotic film genre is loved and makes money. Nationalism, indeed, is an entertainment favourite – featuring a gratuitous nostalgia of violence, a fervent love for the nation-state, and celebrity power – fashioned by [real or imagined] digital technology in an arms race.  In India, cinema is one of

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